Spanning installation, video, sculpture and collage, Wielebinski’s practice explores the intersections between political history, power relations and gendered eroticism. Collage – both as medium and methodology – lies at the core of his practice, allowing him to fragment, reassemble, and subvert dominant iconographies and systems of beliefs rooted in American history, mythology and popular culture.
Gray Wielebinski was born in 1991 in Dallas, TX, and currently lives and works in London, UK. He received a BA from Pomona College, Claremont CA, in 2014, before completing an MFA at the Slade School of Fine Art, London, UK in 2018.
Wielebinski’s solo and duo exhibitions include: Of course I know eternity: Wilhelm Traeger + Gray Wielebinski, Austrian Cultural Forum, London, UK (2025); The Red Sun is High, The Blue Low, Institute of Contemporary Arts London, UK (2023); Fratricide, Anat Ebgi, Los Angeles, CA (2023); Love and Theft, 12.26 Gallery, Los Angeles, CA (2023); Oil and Water, Hales Gallery, London, UK (2023); and Selfridges Art Block Commission, London, UK (2023).
His work has been shown in group exhibitions at Phillida Reid, London, UK (2025); Hauser & Wirth, Somerset, UK (2024); Strong Winds Ahead, François Ghebaly, Los Angeles CA, (2023); Gio Marconi, Milan, Italy (2023); Hanna Barry, London, UK (2023); Goldsmiths CCA, London, UK (2022); and Bold Tendencies, London, UK (2022), among others.
Wielebinski‘s work is in the collections of Los Angeles County Museum of Art CA; San Francisco Museum of Modern Art Library and Archives CA; and Benton Museum of Art, Claremont CA.
His first book, ‘100 Baseball Cards,’ was published with Baron Books in 2022.
