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Chris Dorland
Future Ruins by Robert Hobbs
Published by Hirmer Publishers, 2026
120 Pages
72 color plates
29.7 x 21 cm
11.81 x 8.66 in
Future Ruins explores the cutting-edge vision of Chris Dorland in his debut monograph, the definitive introduction to the acclaimed artist’s dystopian digital aesthetic: a fusion of digital media and painting, exploring themes of technological decay and post-capitalist aesthetics. With a groundbreaking text by leading art historian Robert Hobbs, this richly illustrated volume captures Dorland’s hybrid process—blending digital distortion, surveillance aesthetics, and glitch technologies into a singular, cinematic language. This is a vital document of a practice at the edge of image culture and collapse and is essential for collectors, critics, and curators of post digital, new media, and contemporary painting.
£ 34 + shipping
Gray Wielebinski
PACK
Published by Lichen Books, 2025
208 Pages
24 x 17 cm
9.45 x 6.69 in
Gray Wielebinski’s PACK collects over 200 of the artist’s full-page collages, loosely assembled around themes of masculinity, collectivity, games, sex, guns, and various forms of violence. Illuminating multiple meanings of the term “pack” – from packing heat to pack mentality – the book toys with the idea of the whole that is greater than the sum of its parts. At turns surprising, disturbing, and humorous, the collages break down the boundaries of the individual and draw our attention to the idea of the collective body. “Pack” includes a new essay by Asa Seresin, “Monsieur Thing’s Origin” that ties together the history of medical prosthetise with the history of dildos.
£ 35 + shipping
Julie Béna
Fantasy
Published by Montez Press, 2025
320 Pages
30 x 21.5 cm
11.81 x 8.46 in
Fantasy is the first monograph dedicated to the work of French artist Julie Béna. Featuring contributions by Michal Novotný, Eva Barois de Carvel, Laura Herman, Rose English, and Nicoletta Lambertucci, this book explores over twenty years of Béna’s work, from early site-specific performances and post-conceptual gestures, to the development of theatrical alter egos through narrative sculptures, subversive performative acts, and moving-image works. Fantasy is…a tool through which Béna lucidly reads reality, through which she confronts social roles, and imagines emancipatory possibilities. It is a way to work through trauma—a struggle to live, and to live in line with one’s beliefs.
£ 30 + shipping
Gray Wielebinski
THE RED SUN IS HIGH, THE BLUE LOW
Published by Institute of Contemporary Art, 2023
120 Pages
18 x 25 cm
7.08 x 9.84 in
THE RED SUN IS HIGH, THE BLUE LOW was published on the occasion of Gray Wielebinski’s solo exhibition of the same name at the ICA in 2023. Part artist’s book, part discursive response, the publication is a textual and archival collage of the cross-pollination of cultural and political themes of the exhibition, with essays by Seresin, Larne Abse Gogarty and Maxi Wallenhorst – exploring things as varied as the sun, public toilets, Don DeLillo, Mike Kelley and trans poetics – and a visual narrative compiled from the Library of Congress. “I am interested in focusing on and sitting within the pre-apocalyptic, and the accompanying feelings of paranoia, waiting and unknowing,” said Wielebinski at the time of the exhibition, which explored anxiety-inducing themes of life under late capitalism, the pandemic, and encroaching climate change.
£ 17 + shipping
Ruby Dickson
Maybe my fairy tale has a different ending than I dreamed it would. But that’s OK.
Published by the artist, 2024
12 Pages
30 x 21.5 cm
11.81 x 8.46 in
Maybe my fairy tale has a different ending than I dreamed it would. But that’s OK. was published on the occasion of Ruby Dickson’s debut solo exhibition at NıCOLETTı in 2024. The exhibition and the publication investigate regimes of visibility and self-representation through paparazzi images of Kim Kardashian found through googling keywords to pinpoint different poses, textures, and patterns the artist was interested in painting. ‘With these paintings,’ Dickson explains, ‘I work with images of a character so well known that I don’t need to build a world or a narrative anymore. I can focus on painting only.’
FREE COPIES AVAILABLE UPON REQUEST.
Ana Viktoria Dzinic and Richard Turley
Decoration and Propaganda
Published by Antenne Books, 2024
496 pages
400 copies
The book comprises the documentation of Dzinic’s solo exhibition Repetitive at NıCOLETTı, and a selection of notes submitted by a wide net of people including Hans Ulrich Obrist, Jack Self, Natasha Stagg, Andrew Durbin, Patrick McGraw, Dean Sameshima, Gea Politi Seganfreddo, Shumon Basar, Jeppe Ugelvig (among many others). Essays by Tosia Leniarska, Claire Koron Elat, Laurie Barron, and a foreword by the artist close friend Zac Klein.
£ 25 + shipping
Josèfa Ntjam
MOTS FLEUVES
Published by RVB Books, 2024
124 Pages
22.5 x 33 cm
8.86 x 12.99 in
MOTS FLEUVES highlights the work of Josèfa Ntjam, created during her residency with LVMH Métiers d’Art. Mixing sculpture, photomontage, film, and sound, and drawing inspiration from archives, African mythology, science, and science fiction, she deconstructs notions of origin, identity, and race. The book is divided into two parts: one explores her rich sources of inspiration, while the other presents the works produced during her residency. An original text by the artist adds depth to this publication, where narratives of emancipation and imagined worlds intertwine to envision inclusive and resilient communities.
£ 52 + shipping
Gray Wielebinski
One Hundred Baseball Cards
Published by Baron Books, 2022
108 Pages
35 x 27 cm
13.8 x 10.6 in
Gray Wielebinski’s debut book One Hundred Baseball Cards draws on both ancient and contemporary myths that exist in our daily lives. Collage is an essential mode of making for Wielebinski, who is drawn to its power to subvert or create context and meanings from what already exists. An avid collector since childhood, Wielebinski’s source material is baseball cards. He transforms these emblems of American sport into a new collector’s item – an artwork. Keeping the scale of the original cards creates intimacy, inviting the viewer to look closely and deconstruct their relationship to this familiar object. Leather, fur, threads and nail polish punctuate the works surface. Using textiles and sewn decorative elements layered onto sportsman’s bodies, the series plays with the status of craft as a traditionally feminine mode of making.
£ 25 + shipping
Gaëlle Choisne
First Monograph
Published by Protée Publisher, 2021
Full colour offset
128 pages
17 x 24 cm
First edition, 300 copies
Text by Lotte Arndt & Margot Norton
£ 45 + shipping
Gaëlle Choisne
Temple of Love – To Hide
Published by Künstlerhaus Bethanien, 2023
Numerous color images, Softcover
64 pages
25 x 21 cm
£ 22 + shipping
Chris Dorland
Full Walkthrough 1 : 1 x 4
Published by RRose Editions, 2019
HUV Print on Fedrigoni Symbol Freelife Satin
160 pages
250 copies
Design Chris Dorland + Erin Knutson (Normal Desires)
Text by A.E. Benenson
£ 35 + shipping
Julie Béna
It needed to be tender and to be whipped
Published by Montez Press, 2017
Black and white printed, Perfect bound, Vinyl cover, Includes USB stick w/ audio recording
272 pages
16,5 × 24 cm
Contributors: Daniel S. Palmer, Michal Novotný, Flora Katz, Linda Mai Green, Heidi Rabben, Marie de Brugerolle, Barbara Sirieix
£ 26 + shipping
Ruby Dickson
T-shirt by Ruby Dickson made on the occasion of her solo exhibition Maybe my fairy-tale has a different ending than I dreamed it would. But that’s OK. at Nicoletti.
Available in XS, S, M, L, XL
Edition of 30
£ 50 + shipping